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You can also turn your raster layer invisible easily to check how your vector is progressing. This is very handy for those who work/trace on top of placed raster art: you lock the sub-layer with the raster (I prefer to move it to a separate bottom layer altogether), and you work with your vector brushes and pens and whatever in other layers. Notice that, in the Layers panel, when you drop down the image layer, you'll see that your Brush-drawn object is now a separate sub-layer. Click on the arrow in the corner of the “Brushes” box, and select “Open brush library.” Pick a style, which will show up as a tab in the box, and your brush will work. If it’s empty, you haven’t chosen a calligraphic style for your brush. Go to the menu and select Window –> Brushes to open the little “Brushes” window. The solution I found on TopBrushes went like this: I found some solution elsewhere so I'll share it. I use the Pen tool 99% of the time and it works fine, so I haven't noticed this issue until recently, when I went searching for solutions and found this post. And, like you said, when you open a raster image in Illustrator, the Brush tool is deactivated. So I need to place vector on top of my raster image. However, I myself often use raster scans, typically JPG, as drafts for my vector illustrations. But after that you need to grab the Pen Tool or something to create additional shapes for additional color areas.As others have said, Illustrator is not the right tool for editing "images from the internet" (which are normally raster). You can start with the Live Paint Bucket Tool to A) Close Shapes, and B) lay base tones down. Live Paint will auto-close many things, if Live Paint is an option but for many things Live Paint simply isn't appropriate. Vector coloring works much better and is far more reliable when shape with fills are closed. #ADOBE ILLUSTRATOR VECTOR PAINT SERIES#The best thing you can do to facilitate this type of coloring is to learn to close your paths and create shapes, rather than a series of disconnected paths. Here's a quick example of an object stack to color the tail: Live Paint isn't going to work, but it's possible in Illustrator.īasically you need to think like you were working with cut out pieces of construction paper for each color - manually creating shapes for highlights and variations. To complete the cell style of color you'll need to think of the piece in terms of shapes for each color area, not as a whole. You can not easily get color transitions with Illustrator unless you manually create additional shapes. If you want smooth transitions between areas, you'll need to create additional shapes and apply either gradients or gradient meshes to those shapes. Illustrator is for flat solid shapes or gradients. Then add layers below the smart object and paint colors on those layers with a brush. Set the Smart Object blend mode to Multiply. ![]() I would copy the line art and paste it as a Smart Object into Photoshop. ![]() If you want more painterly color (and it sounds like you do) then Illustrator isn't a good tool for that. Select all, grab the Live Paint Bucket Tool and start clicking. If you merely want flat solid colors, then Illustrator's Live Paint Bucket Tool will handle that just fine. This is a bit broad, not knowing the style of coloring you are after. I've got a ton of experience with PS/AI, just not in this particular space! I'm certainly open to suggestions-I'm new to the digital illustration world. I then had to do a bunch of touch-ups, and those were done with a line art brush, so they're thicker. In the first step I used (accidentally) a calligraphy brush that, when I turned on live paint, dumped out to simple line art. So probably the coloring I'm looking for is 'cel shading' style:Īlso, the line art was done in two stages. duplicate the lines, complete them to create a closed container, and then fill that container.but ugh, takes forever. #ADOBE ILLUSTRATOR VECTOR PAINT HOW TO#I know to use live paint and live paint bucket for contained lines, but how do I easily 'fill' in areas, like the fur on the chest, that isn't a fillable object? I know how to do it the painful way, i.e. I created the line art image in Illustrator. #ADOBE ILLUSTRATOR VECTOR PAINT PRO#I don't necessarily care if I use Illustrator, Photoshop, or Sketchbook Pro I'm just trying to figure out the best way to color the drawing. I've got a line art drawing of a dragon that I'm trying to color. ![]()
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